Suo-Oshima Town, Yamaguchi Prefectural University, and Suo-Oshima High School signed an agreement of comprehensive cooperation on April 28, 2021. Professor Mizutani was asked to be the representative researcher to begin the “Suo-Oshima High School Aloha Project 2021.” With this project as the starting point, a joint collaboration was carried out on the promotion of Hawaiian culture through design in Suo-Oshima Town. This paper will investigate the Hawaiian culture promotion plan with particular focus on aloha shirts. In addition, as a practical study of design, it will verify the results of the workshops on making Hawaiian shirts, the fashion show, and the design exchanges which took place online. Finally, future challenges were identified for the purpose of contributing to the branding of Suo-Oshima Town through Hawaiian culture promotion.

In this paper, we examined the photo gravure from the first issue of the magazine SUTAIRU to the first issue of Volume 2. The photo gravure of the magazines in the early days of the first issue contains the direction of handling Western clothing and Japanese clothing in a competitive manner. In addition, it was confirmed that the clothes recommended by SUTAIRU in the opening gravure had a close relationship with the craft design at that time.

The purpose of this study is to visualize the process of moving from anxiety to liberation of English proficiency held by Japanese assistants (hereinafter referred to as JA) dispatched to secondary schools in English speaking countries, and to show the growth and essential role of JA. As a result of analyzing the monthly reports of 16 JAs by paragraph and topic in four stages of their terms abroad, immediately after dispatch, 3 months, 6 months, and just before the end, it turned out that it went from the "English wall", through the stages of "thinking about the ideal way of learning a foreign language", "breaking down the English barrier", and to "releasing the anxiety of English proficiency". By the time the anxiety was released, the importance of the role of "catch-up" for students that JA supports was inferred. JA is a person who can "speak things that teachers cannot speak", and through "catch-up", students can not only catch up with the delay of learning but also teach English to the JA, while the JA can strengthen one’s position as JA and gain motivation for learning English. It can be guessed that a warm, personal relationship between the JA and students, that grows on an equal footing with each other, is established. In intercultural learning, JA and students have a mutually beneficial relationship and can break away from stereotypes of each other, and in a multilingual environment, English is regarded as one of the tools because of the enjoyment and acceptability of language exchange. It was suggested that those are factors that promote the development and growth of JA's English proficiency.

The subject of this study is "Art," which is offered to students in departments and grades as a basic education course. Based on the findings from setting the classroom tasks for practical subjects and the progress of activities during Corona, we will consider how to further implement education that involves practical skills, and examine methods of art and design education that can continue to have practical effects even in a post Corona world.

In the "Japanese Language and Expression" class, students are expected to consolidate cross-disciplinary knowledge by interacting with others and to express their own and their group's judgments in a logically constructed manner. The purpose of this paper is to discuss how report assignments should be designed in the above-mentioned Japanese writing class in order for learners to acquire multiple and comprehensive perspectives. In the class, a type of cooperative learning called the jigsaw method is used. In the jigsaw group, knowledge is exchanged and discussed while coming to terms with each other, and the level of knowledge aggregation is deepened to aggregation, cohesion, and fusion. It is necessary to design the report assignment so that the level of knowledge aggregation can reach the level of fusion, from which new ideas can be generated and developed for the next learning.

Reprinting and Explanatory Notes of "Edo Nikki (The manuscripts of his diary)" written by Yoshitaka Ozu(A merchant of Edo period).

Reprinting Notes of letter to Ozu Keiso(A merchant of Edo period) owned by Motoori Norinaga Memorial Hall. No.5

This study, intended to be published as a series of papers, explores “Discourse under Crisis” in Chinese classical literature. This paper provides an introduction to “Discourse under Crisis” and discusses it in the context of Shijing 詩経. 　“Discourse under Crisis,” within the context of this study, refers to verses and proses produced or utterances spoken under situations of crisis. The subject of discourse, that is, authors of proses and verses or speakers, cannot avoid these situations since they are not given the option to refuse to participate in them. 　The introduction presents the method and framework of reading the discourse in this study through analyzing Confucius’ utterances and Du Fu 杜甫’s poems under their respective situations of crisis. 　In the context of Shijing, this paper classifies songs as follows: songs related to “prison litigation (trial, court),” songs in an environment of “repression and oppression,” songs in “crisis of life,” and songs when exposed to “language of violence” such as calumny; it also discusses various aspects and characteristics of songs as “Discourse under Crisis.”

1）"Muen-muko" and "Ginzaburō" are two different names for the same kyōgen. The Hōreki Namekawa version of the Kyōgen "Muen-muko" is more unique than the other scripts, but it rather diminishes the characteristics of this Kyōgen. This is probably due to the fact that it was created based only on what he had seen and heard of the central flavor of this Kyōgen. 2）The Eyama version of the Kyogen "Ginzaburō" is close to the other scripts, yet has some old-fashioned elements. 3）The Hōreki Namekawa version of "Muen-muko" was resumably created under the influence of the Genroku, Hōei and Shōtoku periods, when rare Noh and Kyōgen performances were popular.

The purpose of this article is to analyze the role of women in the magazine “Houtoku”, published by Houtokukai, which was established by Hanada Nakanosuke. It was formed to promote moral education in Japan, and especially the goal of the “Imperial Rescript on Education”.In the 1910s to 192 0s, a democracy and movement calling for equal rights and liberation of women spread throughout Japan. Articles about women in “Houtoku” always criticized individualism and opposed the right to vote for women. The Magazine’s writers believed that the role of Japanese women was to raise their families, educate their children, and support their husbands. They not only criticized contemporary women but also presented their own “ideal” model for a Japanese woman.

This special issue, Issues Related to Suo Kokufu, consists of the following: Kazumi Tateno’s Traffic around Ancient Suo, Makoto Sato’s Functions and Facilities of Suo Kokufu, Hiroyuki Kanegae’s Kunizonin and Their Duties in Suo Kokufu, Tomoyasu Kato’s Kokushikan in the Kokufu, Shigeru Watanabe’s Suokoku and the Political Arena in Late Antiquity - with a Focus on the Activities of Tamanooya, and Kenji Kurata’s Restoration and Analysis of Historical Landscapes Using GIS Platforms - the Case of Ancient Suo Kokufu. The issue summarizes the results of the five-year joint research project between Yamaguchi Prefectural University and Hofu City titled Comprehensive Research on Suo Kokufu - the Formative Process of City and Hofu. We expect that the findings we present in this special issue will significantly expand the literature findings on and analyses of the latest excavation results.