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Currently, medical institutions are not only pursuing technology, but are also practicing various attempts to provide safety and comfort in the environment, taking into consideration the emotional burden on patients and their families. Among these, "hospital art," which brings art into the medical field and actively utilizes the positive effects it can have on the viewer, is a representative activity. This paper describes the process of creating hospital art at Sanyo-onoda Municipal Hospital.

This article introduced the historical background of “MURA NO SAIGO” written by Nakamura Seiko in July 1909.

This article introduced the table of contents of the literary magazine " BOCHO BUNGAKU " and "YAMAGUCHIKEN BUNGAKU". These magazines were published in Yamaguchi City, Yamaguchi Prefecture from October1943 to September October 1945.

This article introduced the table of contents of the literary magazine " SHI-EN" .This magazine was published in Yamaguchi City, Yamaguchi Prefecture from September 1938 to May 1942. This article covers the period rom from november december 1928 to September 1932.

This study, intended to be published as a series of papers, explores “Discourse under Crisis” in Chinese classical literature. This paper provides an introduction to “Discourse under Crisis” and discusses it in the context of Shijing 詩経. 　“Discourse under Crisis,” within the context of this study, refers to verses and proses produced or utterances spoken under situations of crisis. The subject of discourse, that is, authors of proses and verses or speakers, cannot avoid these situations since they are not given the option to refuse to participate in them. 　The introduction presents the method and framework of reading the discourse in this study through analyzing Confucius’ utterances and Du Fu 杜甫’s poems under their respective situations of crisis. 　In the context of Shijing, this paper classifies songs as follows: songs related to “prison litigation (trial, court),” songs in an environment of “repression and oppression,” songs in “crisis of life,” and songs when exposed to “language of violence” such as calumny; it also discusses various aspects and characteristics of songs as “Discourse under Crisis.”